under the tree in the cave at the water, there’s where youll find eleventeen eston savouring the shade since his 2014 debut lp delta horizon turned the spotlight his way. taking shelter in the subterranean, the perth musician has found a sound saturated with entheogenic splendour, growing something gorgeous from the grotesque. finding a natural home on hamburgs growing bin, eston emerges into the daylight with a dreamy lp.

since the release of their critically acclaimed debut album in 2013 on names you can trust, la mecánica popular has quietly been contemplating the evolution of the group s sound, philosophy, and overall approach to making music. band leader efraín rozas experimental nature has continually pushed the boundaries of his own definition of not only latin american music, but its broader relationship with music s global culture and history. the sound of -psychedelic salsa- that lmp helped capture in their debut was destined for further outside-the-box interpretations, and with the formation of a new quintet lineup over the last few years, lmp began to incorporate a more free, improvised and instrumental-focused performance of rozas increasingly radical compositions. the band subsequently took this liberated approach directly into the studio, recording roza cruz live, in its entirety. it was a cathartic experience, a necessary methodology for the new album s concept that embraced the intimate performance of its players and did away with standard techniques of isolation and overdubs. the evolution of the band s sound on roza cruz brings forth a blend of styles rarely heard together, a touch reminiscent of electric-era miles davis or eddie palmieri at his most experimental, as the driving force of timbales and congas provide a bed for a wave of lush, analog amplification that mirrors the dueling leads of fuzz guitar and electric piano. but as far out as those instruments take the listener, the raw rhythm the clave always keeps it tethered to the earth and the dance, a cerebral yet visceral gift for the mind and feet.

after releasing a successful archives vol.1 in 2017, italian dj and producer luca vollaro, aka electrorites, is back again with the fresh follow-up archives vol. 2 via his own label structure records. the ep is a hurricane of industrial stained energy, demonstrating a rather free and open musical inspiration and direction. the thick, dense grinding groove define the four tracks. it starts with archive 004 which features powerful repetitive sub-kicks and ends with extremely strong bangs just as if the track is exploding. distorted and mixed mechanised sounds style ctrls remix resulting a very dark adrenaline charged techno track. in archive 005, the sequences and bass loops are stunning and the last-minute banging drum shots will leave you wanting and dreaming for more. to finalize the ep, endlec remixes archive 005 where the listener fully absorbs all the harsh petite details

fuzati (klub des loosers) producer and die-hard crate digger has teamed up with modulor to launch le très jazz club. label exclusively dedicated to vinyl reissue and jazz. for his third and fouth releases, le très jazz continues his journey through japanese jazz! with this reissue of “orang-utan” by legendary bassist and cello player isao suzuki, le tres jazz club offers a remarkable and highly sought-after free jazz album. the eponymous track is a sublime mix of free jazz and jazz fusion, leaded by sax player kenji mori and kazumi watanabe on guitar. essential!

drake white’s debut album spark shot to 1 on the itunes top country albums chart upon release. drakes emotional ballad makin me look good again won him the 2017 british country music association award for international song of the year. with strong support from bbc radio 2, chris country (leading uk country radio station) and critics across the board as well as an avid fanbase, drake’s return with his second album and a new tour is highly anticipated. this exclusive vinyl with blue and transparent marbling on the disc will be made available exclusively in the uk for record store day.

emotional response returns to the schleiben series, with another offering of 4 split albums. again artists are given free reign, encouraged to push the boundaries of their studio and live experimentation in form and texture.

brazilian girls return in 2018 with let’s make love, their first album since 2008. formed in 2003, the group—sabina sciubba (lead vocals, electronics), jesse murphy (bass, vocals), didi gutman (keyboards, vocals), aaron johnston (drums, percussion, vocals)—was born after the four members crossed paths at east village club nublu. “somehow we all ended up at nublu on a sunday and it all came together,” says johnston. the band began playing nublu weekly, embracing a free-form ethos that helped shape their kaleidoscopic sound. “a lot of the spirit of the band comes from being so open to improvise like that,” says murphy. fast earning attention for their euphoric live show—and winning fans like zach galifianakis, who later cast sciubba as a regular on baskets—brazilian girls released their self-titled debut in 2005 and sophomore album talk to la bomb in 2006.

ghent bassed saxophonist mattias de craene (mdc) has caused a stir in the past few years as frontman of jazz rock sensation nordmann. after their second place at humo s rock rally in 2014, nordmann became one of the most exciting bands in the new golden class of belgian jazz groups. 2018 sees mattias fronting his own project mdciii. flanked by two special drummers - simon segers (de beren gieren / black flower / absynthe minded) and lennert jacobs (the germans / hong kong dong), he takes you on a slightly intoxicating musical trip balancing between psychedelic rock, tribal rhythms and energetic free jazz. the band will release their debut album in october 2018. in the meantime they drop a self-titled ep as a teaser. with two tracks of both over 8 minutes, the listener can acquaint the unique musical melting pot of mdciii. for one of the tracks singer sylvie kreusch (warhaus) was recruited and she makes an almost hypnotic contribution.

2015 repress - compilation of soulful, rare roots reggae on double vinyl.

a 1963 bob dylan classic back on 180 gram

a compilation of classic elvis presley songs on 180 gram vinyl.

june records presents a new compilation with live electronics, featuring music from svengalisghost, manie sans de&#769,lire, newcomer bruce roach, trenton chase, rr hearse + furnace miskin and zodiac free arts club who will release his second lp soon on hvnx.

nice price deal !!! let s continue with the third ep set s release, introducing another true and eclectic talent born and raised in bologna: francesco zaniboni aka dj rou. three master tracks, a2 side featuring jackie, with an deep house groovy and funky keyboard pinch rhytm characteristic of his sound. as always dj rou loves the sampling and free creativity. on the b side, moreover, you can find a remixing masterpiece by the florentine duo minimono, recorded and fully composed in live session.

in october 2017 honey dijon was commissioned to take part in the smirnoff were open campaign, aiming to promote inclusive night time culture and celebrate nightlifes ability to transcend gender boundaries and prejudice. as well as appearing in the were open tv commercial, honey was asked to record her take on the initiative’s ethos for creating positive change, making dance music culture a more open-minded and socially inclusive space. what resulted was a rework of ‘queen of disco’ sylvester’s ‘stars’ featuring vocals by singer-songwriter sam sparro, who she collaborated with previously on her album the best of both worlds. now being released on limited edition blue vinyl via classic music company, with breathtaking artwork from assume vivid astro focus who also supplied cover artwork for the album, the entire proceeds from the release will be donated to lgbt foundation. created with parts recorded especially for the were open advert,stars (disco version), produced with the help of classic head luke solomon and studio partner lance desardi, pops sylvester’s spangled party-starter directly into 2018. previously made available as a free download to coincide with the launch of the campaign, the cosmic energy dub, underlining honey’s acidic but sweet production, is followed by two mixes by one of her favourite producers of the moment and fellow chicagoan, cratebug. his nova remix references the classic disco elements of the original, while the supernova remix - exclusive to vinyl - goes fully intergalactic with a glorious squelching extended mix. paying lip service to the legacy of a truly gender-redefining figure whose music is nothing but inclusive and empowering, honey dijon and classic prove the power of music to inspire positive change in the dance music communities with this stars release.

from disco to disco: best-of des ghanaischen keyboarders und sängers auf 180 gramm doppel-vinyl. repress without the free mp3 dl card.

“world building” is a blissful and introspective mission into melancholy that wanders over terrain both familiar and unknown. bright and sparse melodies shimmer over icy landscapes, hewn with a careful composition and attention to the most minute detail. ghostly voices swell into symphonic chorus while an analogue rhythm section keeps an almost human-like groove. arguably his most complete work to date, “world building” is a satisfying listening experience with a strong narrative - an auditory tale of an epic journey with warmth and depth from one of europe’s most exciting producers. pressing on green marbled double vinyl.

junction - a six track ep produced entirely by samrai & platt - features vocalists from jamaica, ireland & the uk and rounds off an excellent 12 months for the label & crew whove toured across north america, mexico and europe in 2017. the set kicks off with st favourite alexx a-game (originally voiced at his studio in kingston in 2016) urging listeners to free up their mind and souls and let the good times take control. it sets the tone for upcoming jamaican talent blvk h3ro to step up on the soulful party number cant wait (recorded at equiknoxx’s studios in vineyard town in 2016), which has been a staple in swing ting sets over the last 18 months. slowing the pace is addiction, a link up with irish artist and frequent murlo collaborator gemma dunleavy who lays down an impressive vocal over the skittering drums, muted guitar and glistening keys. the listen is interrupted momentarily for an interlude from gavsborg whose moving voicemail is accompanied by a poignant piano line from jp aka without understanding. one for the clubs turn it up features equiknoxxs shanique marie riding a stripped funky-esque riddim with ease. fittingly the set closes with contagious which finds two of manchester’s finest vocalists fox & tyler daley searching for an escape from the reality of our turbulent times over a refined yet sparkling production. the 12inch vinyl will be limited to 200 copies

richy ahmed has been steadily building his four thirty two label over the last 12 months, introducing talented artists such as jansons and senzala to the fold. the imprint is fast becoming a go to label for those who like their house music uncomplicated and hype free, ensuring the chicago and detroit house sound burns bright with new music indebted to the roots of the music. after recent releases on seth troxler’s play it say it label, and remixes for london grammar, richy brings the goods back to home on this latest four thirty two release. on cant stop us, chunky stabs incessantly jab at meaty drums, as a female vocal loop rides on an opening filter. the good vibes build to a classic house piano crescendo that marshall jefferson would certainly approve of, as the soaring strings and evolving drums raise the rapturous mood to dizzying heights. on the flip, the percussive disco drums of dials mavis are bolstered by a booming sub bassline whilst deft keys and deep rhodes chords deliver the infectious melody on this bumping jazz ride.

4th releases on rotate!

incl. mod21 remix

tartelet records is 10. to celebrate a decade in the cut, they re out a home run of new material from label mainstays & fresh signings in 2018. to kick things off, the label is enormously proud to set free endless light –– a new record from oakland newcomer space ghost.
coming on like a brainchild to dam funk & mutant beat dance, ghost s sound falls off the shelf between a number of distinct reference points: lone s early tropical synaesthetics, the modern funk of funkosphere, the intimate tapes out of ppu. in a sea of soundcloud copycats, he s a revelation.
endless light is a record with an open hand: an instantly appealing sound from a new producer with a highly-tuned ear. born of his collection of antique synths & drum machines, the space ghost experience channels a deep heritage of 1980s funk minimalism & analogue boogie. velvet pads, hood-rat sleaze & heaped spoonfuls of soul.

dapayk solo, berlin based producer and veteran of the minimal techno scene, announces the release of his 10th studio album the calling. this latest project will be the producers first solo album since 2015. the 8-track double 12inch lp will be available via dapayk solos label mos ferry productions and comes with a free download voucher. the first track on this lp the calling shares its name with the album and starts off with a pang of energetic, chopped beats before exploding into a brassy melody, continuously gaining momentum. blackout immediately announces itself as a next generation detroit house anthem. the rolling synths, hi hats, and vocals make this one of the most outstanding tracks on the album.aurora stays true to its name with a buildup composed of throbbing ethereal synths that give the track an otherworldly vibe. flood transports listeners to the dancefloor with its pulsating bassline combined with komplements quaint vocals. the second part of the album begins with after all, one of the most enticing tracks on the album. it combines the groovy rhythm of four to the floor percussion with tantalizing vocals by vars before low tinnitus reverts to dapayks signature minimalist sound. the transition into wanderer continues the momentum built up by the previous tracks. the closing walk with me is a deep-house jam that features a rhythmic shaker layered under mental bends powerful vocals. dapayk solo, alias niklas worgt, isnt afraid to try new things.

firescope records, the scion of b12 records, releases its first album from none other than its chief commander, steven rutter. the second credited solo release from rutter, it signals another step away from b12 as he steadily builds on a singular vision of work under his own name. finished in two different coloured vinyl a/b and c/d in a wonderful gatefold featuring the artwork of sarah sparkes

dax j returns in epic fashion with his 2nd album on monnom black taking you on a journey through techno, acid, ebm, idm and jungle. 14 killer cuts! legendary and absolutely essential! 2 x vinyl lp + free digital download codes + a5 art insert + sticker and plastic wrapped

by all rights, the name chevals might be a new one on a few folks out there. but, we encourage you not to confuse pedigree with quality of output because with chevals the two go hand in hand. his first two outings on homage & better listen records soared to the top of the sales charts and we re stoked to finally release our 10inch with him to help keep the momentum for what is sure to be a successful run for the french beat-smith.

the second release in no bad days’ sister imprint no bad edits comes from montréal upstart unknown mobile, who first caught our ear with a lovely debut on asl singles club. here, he looks to the 1980s for inspiration, channeling that decade’s confidence and colour with three shimmering reworks. the a-side’s “dream state” matches its namesake, evoking a busy fourth world market scene, with pipes, bells and flutes chiming away in happy harmony.
on the flip, “programmer” is a slab of excitable and effects-slathered fusion funk, as if a computer has sprung to life and begun to dance. the 12” wraps with “valerian slip”, where unknown mobile folds the strands of silk from a free-form windham hill deep cut into a new shape, every bit as smooth as the original but with a nagging groove to underpin it.

vision songs vol. 1 (1984) is the laraaji album like no other, located at the intersection of new age and gospel. it is both his outlier and magnum opus, the feel-good diy tape of the century. discovered busking in washington square park by brian eno in the late 70s, engagement with the eternal flow has led laraaji to, seemingly by magic, emerge as the most beloved avatar of the unstoppable new age music revival of recent years. now vision songs rewrites laraaji’s musical history. unlike the many instrumental, free form albums upon which his reputation was built, this is an album of songs, with lyrics, verses, choruses. vision songs is literally a revelation -- of a master songwriter whose unbelievably catchy best compositions such as “we shall be lifted”, “all of a sudden”, and “is this clear?” belong in any great american songbook. casio synth jams recorded at spiritual retreat guest rooms and a tiny bedroom on the upper west side, lysergicallyspectacular anthems for a continually arriving new moment, “channeled,” as laraaji states in the album’s eloquent liner notes, “from the sky,” previously available in an edition of 100 cassettes sold at yoga retreats and on the streets of new york city, vision songs is humbly offered on vinyl, cd, and streaming for the very first time. this is where this is going on, this is where this is taking place, this is how this is going on. is this very clear?

drumcode favourite bart skils kickstarts the new year with his sixth ep for the label since his debut on drumcode in 2012, bart skils has been one of the label s most regular contributors, with the dutchmans brand of functional, hook-driven techno a go-to weapon for adam beyer from his stellar shadowprint ep in 2014, to last year s classy remix of mobys go. one of the netherlands hardest working ambassadors for techno, he is the organiser of the beloved voltt love summer festival that s has been a favourite of beyers for many years. his latest work for drumcode, bells of the revolution continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. the title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ocean drive nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. vocalized follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. the ep concludes with retrodade, a track thats been one of the biggest in beyers sets in 2017 and features the famous vocal from rozallas everybodys free. the sample was used with kind permission from the iconic 90s singer

radical connector was originally released in 2004 and is now fnally back on vinyl. this re-issue is pressed on mixed splatter color vinyl and presented in a high gloss jacket with free download card. though reference points like daft punk and prince have rightly been thrown around, radical connector is in fact a strange album that doesnt sound like much else. pitchfork

malina moye, die vom guitar world magazine als eine musikpionierin und eine der besten gitarristinnen gefeiert wurde, hat für sich eine eigene nische in der heutigen musikszene geschaffen als eine von nur wenigen künstlerinnen in der geschichte, gelingt es ihr, den graben zwischen rock und soul zu überbrücken. darüber hinaus ist sie eine der führenden gitarristinnen ihrer generation. moye hat das talent, das aussehen, die energie, einfach alles, attestierte die huffington post. das seventeen magazine konstatierte: auf der bühne liefert malina eine berauschende mischung von funk, rock und soul ab. the examiner erklärte moye zu einer der besten 10 u.s. independent-künstlerinnen- und das billboard magazine nannte ihre zusammenarbeit mit bootsy collins explosiv. hier kommt nun ihr neues album bad as i wanna be. eine bärenstarke sache! vinyl (schwarz/180g/direct metal mastering)

a newcomer on the label’s lineups, mary delivers a distinctive balancing act between bleepy ambient listening and free thinking, heart-rending, dancefloor material. river is an invitation extended to listeners to lose themselves in sound with light tones, graceful harmonics, and smart rhythms. running through idm inflexions, ambient sound baths and low-key house hypnotics, it’s music that seems to have fallen out of time. river is an invitation extended to listeners to lose themselves in sound with light tones, graceful harmonics, and smart rhythms. running through idm inflexions, ambient sound baths and low-key house hypnotics, its music that seems to have fallen out of time.

about this release *first 10 tracks only come with the limited edition nijmegen s eshu welcomes co-founder ivano tetelepta for his first solo release on the label. it is also the imprint s first full length, but tetelepta s second album after the hypnotic drum workout that was true colours, his debut on fear of flying in 2012. it comes as a double vinyl release with the first disc being limited, and finds the producer casting himself free from the dance floor and serving up a beautifully atmospheric soundtrack that would be a perfect companion for a nature documentary. when making eps and 12-s, tetelepta s smooth and infectious drums are always front and centre in his work, whether solo or as producing with label mates under the eshu alias.

demuja joins the madhouse roster this march with come to me, a four track ep featuring french/australian singer ladybird and a folamour remix of the title track. after various releases on the likes of nervous records, rtct records, and his own label muja, austria’s bernhard weiss aka demuja joins madhouse with some fresh material following last year’s output on house puff and freerange. the release opens with title track come to me, a rough and ready lo-fi number featuring a soulful sample, and blissful stabs of horns and strings. following is the folamour’s lost in eden remix, twisting the original into a balearic, sun-drenched vibe, contrasting the original and bringing a more funk-infused, melodious feel to things. up next is the second original on the release take which employs classic house tropes with a nod to the 90s via catchy horns and a new jersey garage/house beat. free me feat ladybird then closes the package, taking you on a silky smooth house journey, with ladybirds dazzling vocals taking center stage.

out of nowhere, here comes villee with his debut ep chock full of dancefloor gems. from the very first listen we knew we had something special that we needed to release on pressed for time. its a difficult thing to reference classic tracks and artists without sounding like a carbon copy however villee manages this with aplomb. referencing larry heard (check the chords on the inventor), cajual records, french house and the diy free party sound - we think this ep is fantastic! think warm, analogue, looped up, mpc house with swing and you re on the right track

akumandra is the mexican imprint of sainte vie. the label promotes the exceptional artists riding the sub current of multicultural electronic music and, after 3 years of sharing its music for free, it s about to release on vinyl for the first time. sainte vie s music is a prime summary of what it means to hear in a post-genre universe. as trends are quickly rendered obsolete, the accumulation of culture debris is becoming more significant in relation to the producer the ability to create a nostalgic blur through a composition of artifacts and interpretations. paying homage to this, estacion inmortal (sainte vie s first ep) produces the afterglow associated with an auditory epiphany. the combination of mellow interludes, earthy chord progressions and acoustic-synthetic equilibrium have the capacity to conquer both communal space and solitude.

taking its title from a minoan legend that deals with rage, greed and destruction, the latest release from abyss x expands and reconstructs conceptions of aural space and time. out on february 23 on danse noire, pleasures of the bull finds the multi-disciplinary artist and producer flirting with the sounds of hard jazz while mystifying the parameters of experimental music across several distinct movements, thus allowing the listener to break free from their sonic principles.

lost girls ist das neue projekt der norwegischen avant-pop-künstlerin jenny hval und ihres landmannes und multinstrumentalisten havard volden. auf seinen elf bis dreizehn-minütigen tracks kombiniert das duo elektronik mit verschrobenem gitarren-tremolo, free jazz-drumming und meditativen vocals zu schaurig-atmosphärischen klangskulpturen

in 9 records and 22 years schmer has given you the same four dudes: prototype 909, dj rx-5 and bpmf. now is the time to unleash a new generation of schmers on an unprepared world and they are prepared to set the world on fire. coming out strong to whip us all into shape weve unleashed isabella and she’ll leave you spun out.

limited 180 gram double vinyl in gatefold sleeve. includes code for free download of all tracks as wav-files in cd master quality.

limited 180 gram double vinyl in gatefold sleeve. includes code for free download of all tracks as wav-files in cd master quality.

privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival’s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren’t so spot on, you’d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person’s fantasies can contribute to another person’s freedom. get lost in j. jasmine’s world for a little long while, and be free.

mixes from matthus raman & petar dundov! elektronik by mark strain is a track that draws from the english idm tradition, a dreamy and dynamic electronic track, defined by an analog drum machine and a captivating and smooth bassline. matthus raman remixes elektronik by mark strain, keeping the same dreamy and magic atmosphere of the original track, but putting the track into orbit, in the gravitational free space. destination mars and beyond. the refined remix of elektronik by techno master petar dundov is an ecstatic hymn for life, a perfect track for the most sophisticated dance-floors shining at the crack of dawn.

zoe mc phersons exploration of this world on string figures is a deeply rhythmic, immersive and forward-thinking piece of elec-tronic-leaning music that remains just as danceable as it does experimental. the album is fundamentally one of duality, exploring the traditional and the contem-porary, organic and electronic, audio and visual, history and the future. rooted in this duality is also a core theme around string being one of the most ancient and playful art forms and the seemingly infinite possibilities it offers in terms of shapes, structures and figures lines up with this as a trans-global art project. one that over time will involve video art, choreography, 3d motion design, macro film, instrumental and electronic sound. although for now is being presented through an av performance, films and a record with mc pherson collaborating with director alessandra leone over the seven tracks (which are laid out as chapters) the record explores glitchy elec-tronics, dub-tinged grooves, polyrhythms, and a huge array of instruments that takes in quiet blasts of atonal sax alongside wonky synths.

nyc native eric maltz has been a professional producer and pianist for more than 20 years. after landing on the techno scene in 2017 with the double vinyl “ns-17” ep on levon vincent’s novel sound, eric maltz releases his first single on his own label flower myth. opening on the title track , a bruising slice of machine techno, the live touch of the new-york producer stands out throughout “pathway”. on “ah-shu-de-ohu”, paranoid chimes swirl out of focus while chopped up vocals command attention. free floating chords glide through a meditative soundscape on closer “line through”. flower myth will release 4 more singles from eric maltz throughout 2018, one of them a collaboration with cristina valentina, the powerful voice from “we have power” (ns17). having recently signed with uzuri booking and artist management, eric will soon be bringing his singular live techno to his home-base city of berlin and other major cities across europe and the world.

ep3: mov clsr is the third and final piece in a trilogy of releases, exploring the libraries of spaceks recent hard drives. encompassing house, footwork, techno, garage and broken beat the legendary vocalist and producer has amassed a wealth of tracks created mostly on iphone and ipad. south london to the core yet globally inspired, his off kilter swing and free flowing approach to music has always set him apart from the pack. from his work with j.dilla (eve/dollar) to his collaboration with mark pritchard as one half of africa hitech, steve spaceks creative output has always been a million miles ahead.

as founding member of uran gbg, with a past in cult bands such as lava, and appearing on stage and in studio with some of gothenburg s more prominent acts, makes jerker jarold one of the cornerstones in the city’s psychedelic scene. by the name of vastlanken, jarold is now making his first release as a solo artist on hoga nord rekords.
the music on the tracks autobaba and moebel, is a mixture of dub, ambient and techno where few but tasteful components builds the sound. vastlankens transcendent qualities lies in jarolds ability to limit himself in matter of recording techniques and instrumentation, one synthesiser, one delay pedal and one mobile studio is all he need to make delicate dub.
activate your pineal gland and meditate yourself free from general angst with gothenburg’s last shaman!

about this release *first 10 tracks only come with the limited edition. nijmegen s eshu welcomes co-founder ivano tetelepta for his first solo release on the label. it is also the imprint s first full length, but tetelepta s second album after the hypnotic drum workout that was true colours, his debut on fear of flying in 2012. it comes as a double vinyl release with the first disc being limited, and finds the producer casting himself free from the dance floor and serving up a beautifully atmospheric soundtrack that would be a perfect companion for a nature documentary. when making eps and 12 s, tetelepta s smooth and infectious drums are always front and centre in his work, whether solo or as producing with label mates under the eshu alias.